Ad blocker interference detected!
Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers
Wikia is not accessible if you’ve made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected.
Individual differences |
Methods | Statistics | Clinical | Educational | Industrial | Professional items | World psychology |
- "Cacophony" redirects here. For other uses, see Cacophony (disambiguation).
- "Euphony" redirects here. For other uses, see Euphony (disambiguation).
Phonaesthetics (from the Greek: φωνή
, phōnē, "voice-sound"; and αἰσθητική, aisthētikē, "aesthetics") is the claim or study of inherent pleasantness or beauty (euphony) or unpleasantness (cacophony) of the sound of certain words and sentences. Poetry is considered euphonic, as is well-crafted literary prose. Important phonaesthetic devices of poetry are rhyme, assonance and alliteration. Closely related to euphony and cacophony is the concept of consonance and dissonance.
From this meaning should be distinguished the closely related but different concept of phonaesthesia, which does not refer directly to aesthetic attributes of sound, but to phonetic elements that are inherently associated with a semantic meaning. The term was introduced by J. R. Firth in 1930 "The phonæsthetic habits [...] are of general importance in speech." Firth defined a phonaestheme as "a phoneme or cluster of phonemes shared by a group of words which also have in common some element of meaning or function, though the words may be etymologically unrelated."
In most languages, phonetic combinations which are difficult to pronounce will be adapted to allow more flowing speech, for reasons of ease of pronunciation rather than aesthetics. These adaptations will be sub-phonematic at first, but over several generations will lead to phonematically relevant sound changes. Most of the euphony or mellifluous design of a formal language is pure coincidence, yet phonaesthetics relations with meaning can arise to frequent use and may even become cliché.
See also Edit
- sandhi ("euphonic" rules in Sanskrit grammar)
- vowel harmony
- assimilation (linguistics)
- affection (linguistics)
- English and Welsh
- inherently funny word
- Japanese sound symbolism
- Vilayanur S. Ramachandran
- Ross Smith, Inside Language - Linguistic and Aesthetic Theory in Tolkien, Walking Tree Publishers (2007), ISBN 978-3-905703-06-1.
|This page uses Creative Commons Licensed content from Wikipedia (view authors).|