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'''Dance therapy''', or '''dance movement therapy''' is the [[Psychotherapy|psychotherapeutic]] use of movement (and [[dance]]) for emotional, [[cognitive]], [[social]], behavioural and [[body|physical]] conditions. It is a form of [[expressive therapy]]. Certified dance therapists hold a masters level of training.
[[Dance therapy| Introduction to dance therapy]]
 
   
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Dance therapy is founded on the premise that the body and mind are an interrelated continuum (refer [[bodymind]]), that the state of the body may affect mental and emotional wellbeing in manifold ways. In contrast to artistic dance, which is usually concerned with the aesthetic appearance of movement, dance therapy explores the nature of all movement. Through observing and altering the kinesthetic movements of a client, dance movement therapists diagnose and help solve various psychological problems. As any conscious person can move on some level, this therapy can work with any population.
[[Dance therapy research]]
 
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[[Marion Chace]] is considered the principal founder of what is now dance therapy in the United States.<ref> [http://www.adta.org/resources/chace_bio.cfm Marion Chace biography]</ref>
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In the UK, the profession has been renamed '''Dance Movement Psychotherapy''' in order to reflect the psychotherapeutic nature of the work (see Meekums 2002 for a discussion).
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LMA or [[Laban Movement Analysis]] is also part of dance movement therapy as it used to categorise movements into efforts, which can be used as an insight to the patient's mental state.
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==Journals==
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*[[American Journal of Dance Therapy]]
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==See also==
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*[[Ecosomatics]]
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*[[Expressive therapy]]
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*[[Movement therapy]]
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*[[Process art]]
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*[[Recreation therapy]]
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==References==
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<references/>
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==Further reading==
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===Books===
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* Blatt, J. (1996). Dance movement therapy. London, England: Jessica Kingsley Publishers.
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* Blatt, J. (1991). Dance/movement therapy: Inherent value of the creative process in psychotherapy. Lisse, Netherlands: Swets & Zeitlinger Publishers.
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* Chodorow, J. (1991). ''Dance Therapy and Depth Psychology''. London
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* Hanna, J. L. (2004). Applying Anthropological Methods in Dance/Movement Therapy Research. Springfield, IL: Charles C Thomas Publisher.
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* Lewis, P. (1984; 1986). ''Theoretical Approaches in Dance Movement Therapy''. Vols I & II, USA: Kendall/Hunt.
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* Liebowitz, G. (1992). Individual dance movement therapy in an in-patient psychiatric setting. New York, NY: Tavistock/Routledge.
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* Meekums, B. (2002). ''Dance Movement Therapy: a Creative Psychotherapeutic Approach''. London: Sage
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* Payne, H. (ed). (2006). ''Dance Movement Therapy: Theory, Research and Practice'' (2nd edn). Tavistock / Routledge.
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* Siegel, E. (1984). ''Dance Movement Therapy: Mirror of Ourselves: The Psychoanalytic Approach''. New York: Human Science Press.
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* Stanton-Jones, K. (1992). ''An Introduction to Dance Movement Therapy in Psychiatry''. London: Tavistock/Routledge.
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* North, M. (1990). ''Personality Assessment Through Movement''. Northcote House.
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* Payne, H.L. (2000). ''Creative Movement and Dance in Groupwork''. Oxon: Speechmark
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* McCormack, D. (2003) An event of geographical ethics in spaces of affect. Transactions of the Institute of British Geographers, 28, (4), 488-507
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===Papers===
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*Adler, J. (1992). Body and soul: American Journal of Dance Therapy Vol 14(2) Fal-Win 1992, 73-94.
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*Adler, J. (2003). From Autism to the Discipline of Authentic Movement: American Journal of Dance Therapy Vol 25(1) Spr 2003, 5-16.
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*Adler, R. F., & Fisher, P. (1984). My self... through music, movement and art: The Arts in Psychotherapy Vol 11(3) Fal 1984, 203-208.
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*Akstein, D. (1974). Psychosocial perspectives of the application of Terpsichoretrancetherapy: Psychopathologie Africaine Vol 10(1) 1974, 121-129.
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*Albretsen, C. S. (1986). Symbiosis treatment in adult psychiatry: Is combined family and individual management a condition for a solution? : Nordisk Psykiatrisk Tidsskrift Vol 40(4) 1986, 279-283.
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*Aleszko, Z. (1972). The role of choreotherapy in the psychomotor rehabilitation of neurotic teenagers: Psychiatria Polska Vol 6(3) May 1972, 345-348.
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*Ambra, L. N. (1995). Approaches used in dance/movement therapy with adult women incest survivors: American Journal of Dance Therapy Vol 17(1) Spr-Sum 1995, 15-24.
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*Ammon, G. (1984). The importance of the body under the holistic aspect of humanistic dynamic psychiatry: Dynamische Psychiatrie Vol 17(4)[87] 1984, 339-356.
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*Ammon, G. (1986). Human-structural dance: Art of healing and self-experience: Dynamische Psychiatrie Vol 19(4-5) 1986, 317-342.
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*Ammon, M. (2003). Psychological studies on human structural dance: Group Analysis Vol 36(2) Jun 2003, 288-306.
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*Appel, C., & Fraenkel, D. (2004). Editorial: American Journal of Dance Therapy Vol 26(1) Spr 2004, 3-4.
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*Appel, C., & Fraenkel, D. (2005). Editorial: American Journal of Dance Therapy Vol 27(1) Mar 2005, 3-4.
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*Appel, C., & Welsh, D. (2006). Co-Editors' Report: The Rhythm of Entrepreneurship--The Art of Getting Out in the World: American Journal of Dance Therapy Vol 28(1) Jun 2006, 41-44.
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*Appel, C., & Welsh, D. (2006). Editorial: American Journal of Dance Therapy Vol 28(2) Oct 2006, 57-58.
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*Arnold, O. (2003). Music and dance therapy in ambulatory rehabilitation of substance abusers. Rationale, development, and implementation of a scientific concept based on the example of an ambulatory substance abuser support department in Baden-Wurttemberg: Part II: Musik-, Tanz- und Kunsttherapie Vol 14(2) 2003, 100-117.
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*Arnold, O. (2003). Music and dance therapy in ambulatory rehabilitation of substance abusers. Rationale, development, and implementation of a scientific concept based on the example of an ambulatory substance abuser support department in Baden-Wurttemberg-Part I: Musik-, Tanz- und Kunsttherapie Vol 14(1) 2003, 19-31.
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*Atterbury, C., Sorg, J., & Larson, M. A. (1983). Aerobic dancing in a long-term care facility: Physical & Occupational Therapy in Geriatrics Vol 2(3) Spr 1983, 71-73.
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*Bachman, J. E., & Sluyter, D. (1988). Reducing inappropriate behaviors of developmentally disabled adults using antecedent aerobic dance exercises: Research in Developmental Disabilities Vol 9(1) 1988, 73-83.
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*Baillio, E. (1972). Shall we dance? : Journal of Music Therapy Vol 9(1) Spr 1972, 37-39.
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*Baum, R. (2007). Looking backward, dancing forward: A student's encounter with the practice of dance movement therapy: The Arts in Psychotherapy Vol 34(3) 2007, 249-255.
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*Belfiore, M., & Della Cagnoletta, M. (1992). Arts therapy training in Italy: Toward a pedagogical model: The Arts in Psychotherapy Vol 19(2) 1992, 111-116.
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*Ben-Asher, S., Koren, B., Tropea, E. B., & Fraenkel, D. (2002). Case Study of a Five Year-Old Israeli Girl in Movement Therapy with Case Discussion: American Journal of Dance Therapy Vol 24(1) 2002, 27-43.
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*Berger, M. (1987). Psychic expression in the human structural dance: A pilot study: Dynamische Psychiatrie Vol 20(1-2) 1987, 42-64.
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*Berger, M. (1988). Psychological investigations on human structural dance: Dynamische Psychiatrie Vol 21(1-2) 1988, 128-158.
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*Berger, M. R. (1992). Isadora Duncan and the creative source of dance therapy: American Journal of Dance Therapy Vol 14(2) Fal-Win 1992, 95-110.
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*Bernstein, B. E. (1979). Ballroom dancing: The therapy and the ecstasy: International Journal of Sport Psychology Vol 10(4) 1979, 259-262.
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*Bernstein, P. L. (1985). Embodied transformational images in dance-movement therapy: Journal of Mental Imagery Vol 9(4) Win 1985, 1-8.
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*Berrol, C. F. (1979). The effects of two movement remediation programs on selected measures of perceptual-motor ability, academic achievement and behavior on first grade children manifesting learning and perceptual-motor problems: Dissertation Abstracts International.
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*Berrol, C. F. (1989). A view from Israel: Dance/movement and the creative arts therapies in special education: The Arts in Psychotherapy Vol 16(2) Sum 1989, 81-90.
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*Berrol, C. F. (1992). The neurophysiologic basis of the mind)ody connection in dance/movement therapy: American Journal of Dance Therapy Vol 14(1) Spr-Sum 1992, 19-29.
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*Berrol, C. F. (1992). The neurophysiologic basis of the mind-body connection in dance/movement therapy: American Journal of Dance Therapy Vol 14(1) Spr-Sum 1992, 19-29.
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*Berrol, C. F. (2004). The Expanding Options of Experimental Research Design in Dance/Movement Therapy. Springfield, IL: Charles C Thomas Publisher.
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*Berrol, C. F. (2004). How to Mix Quantitative and Qualitative Methods in a Dance/Movement Therapy Research Project. Springfield, IL: Charles C Thomas Publisher.
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*Berrol, C. F. (2006). Neuroscience meets dance/movement therapy: Mirror neurons, the therapeutic process and empathy: The Arts in Psychotherapy Vol 33(4) 2006, 302-315.
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*Berrol, C. F. (2006). Review of An Introduction to Medical Dance/Movement Therapy: Health Care in Motion: The Arts in Psychotherapy Vol 33(2) 2006, 153-155.
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*Berrol, C. F., Ooi, W. L., & Katz, S. S. (1997). Dance/movement therapy with older adults who have sustained neurological insult: A demonstration project: American Journal of Dance Therapy Vol 19(2) Fal-Win 1997, 135-160.
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*Berryman-Miller, S. (1986). Benefits of dance in the process of aging and retirement for the older adult: Activities, Adaptation & Aging Vol 9(1) Fal 1986, 43-51.
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*Bertolaso, Y. (2004). Floor design in dance and dance therapy. Expressiveness, message, and energetical-structuring effects and potential: Musik-, Tanz- und Kunsttherapie Vol 15(4) 2004, 167-184.
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*Best, P. A. (2000). Theoretical diversity and clinical collaboration: Reflections by a dance/movement therapist: The Arts in Psychotherapy Vol 27(3) 2000, 197-211.
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*Block, B. A. (2001). The psychological cultural relational model applied to a therapeutic, educational adolescent dance program: The Arts in Psychotherapy Vol 28(2) 2001, 117-123.
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*Bojner-Horwitz, E., Theorell, T., & Anderberg, U. M. (2003). Dance/movement therapy and changes in stress-related hormones: A study of fibromyalgia patients with video-interpretation: The Arts in Psychotherapy Vol 30(5) 2003, 255-264.
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*Boris, R. (2001). The root of dance therapy: A consideration of movement, dancing, and verbalization vis-a-vis dance/movement therapy: Psychoanalytic Inquiry Vol 21(3) 2001, 356-367.
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*Bornell, D. G. (1984). Movement is individuality: An interabilities approach using dance taps: Music Therapy Vol 4(1) 1984, 98-105.
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*Bosak, C. K., & Jack, M. (2006). Results of dance therapy and dynamic movement meditation with patients in a psychotherapeutic inpatient setting: Musik-, Tanz- und Kunsttherapie Vol 17(3) 2006, 136-145.
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*Bostick, C. A. (1997). Dance Movement and its effects on rhythmic flow and nursing practice. Dissertation Abstracts International: Section B: The Sciences and Engineering.
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*Boswell, B. (1993). Effects of movement sequences and creative dance on balance of children with mental retardation: Perceptual and Motor Skills Vol 77(3, Pt 2) Dec 1993, 1290.
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*Boswell, B., & Vidret, M. (1993). Rhythmic movement and music for adolescents with severe and profound disabilities: Music Therapy Perspectives Vol 11(1) 1993, 37-41.
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*Boswell, B. B. (1983). Adapted dance for mentally retarded children: An experimental study: Dissertation Abstracts International.
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*Boyd, J. (2007). The rhythm method: Body, Movement and Dance in Psychotherapy Vol 2(1) Mar 2007, 57-67.
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*Bradley, K. K. (2006). Crossing the Boundaries: American Journal of Dance Therapy Vol 28(1) Jun 2006, 45-48.
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*Brauninger, I. (2006). Review of Dance/movement therapists in action. A working guide to research options: Body, Movement and Dance in Psychotherapy Vol 1(1) Mar 2006, 86-88.
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*Brooks, D., & Stark, A. (1989). The effect of dance/movement therapy on affect: A pilot study: American Journal of Dance Therapy Vol 11(2) Fal-Win 1989, 101-112.
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*Bruno, C. (1981). Applications and implications of "structural analysis of movement sessions" for dance therapy: The Arts in Psychotherapy Vol 8(2) 1981, 127-133.
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*Bruno, C. (1990). Maintaining a concept of the dance in dance/movement therapy: American Journal of Dance Therapy Vol 12(2) Fal-Win 1990, 101-113.
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*Bumanis, A., & Yoder, J. W. (1987). Music and dance: Tools for reality orientation: Activities, Adaptation & Aging Vol 10(1-2) 1987, 23-35.
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*Bunney, J. R. (1978). Dance therapy and notes on Task Panel on "The role of the arts in mental health." Art Psychotherapy Vol 5(1) 1978, 7-9.
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*Caldwell, C. (2004). American Dance Therapy Association 38-super(th) Annual Conference Keynote Address: The Power of Stillness, the Glory of Motion: American Journal of Dance Therapy Vol 26(1) Spr 2004, 9-15.
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*Canner, N. G. (1992). At home on earth: American Journal of Dance Therapy Vol 14(2) Fal-Win 1992, 125-131.
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*Capello, P. P. (2006). Training Dance/Movement Therapists: The International Challenge: American Journal of Dance Therapy Vol 28(1) Jun 2006, 31-40.
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*Capy, M. M. (1983). A developmental project for advanced dance-movement therapists in Israel: An intercultural experiment: Dissertation Abstracts International.
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*Chaiklin, H. (1994). The crossroads of dance therapy: American Journal of Dance Therapy Vol 16(2) Fal-Win 1994, 71-80.
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*Chaiklin, H., & Chaiklin, S. (2004). The Case Study. Springfield, IL: Charles C Thomas Publisher.
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*Chambliss, L. (1982). Movement therapy and the shaping of a neuropsychological model: American Journal of Dance Therapy Vol 5 1982, 18-27.
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*Chin, D. L. (1988). Dance movement instruction: Effects on spatial awareness in visually impaired elementary students: Journal of Visual Impairment & Blindness Vol 82(5) May 1988, 188-192.
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*Chodorow, J. (1991). Dance therapy and depth psychology: The moving imagination. Florence, KY: Taylor & Frances/Routledge.
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*Chodorow, J. (1992). Sophia's dance: American Journal of Dance Therapy Vol 14(2) Fal-Win 1992, 111-123.
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*Chodorow, J. (1995). Body, psyche, and the emotions: American Journal of Dance Therapy Vol 17(2) Fal-Win 1995, 97-114.
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*Chodorow, J. (1995). Dance/movement and body experience in analysis. Chicago, IL: Open Court Publishing Co.
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*Chodorow, J. (2000). Marian Chace annual lecture: The moving imagination: American Journal of Dance Therapy Vol 22(1) Spr-Sum 2000, 5-27.
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*Cipolletta, S. (2006). Movement in personal change: The practice of dance therapy. Hoboken, NJ: John Wiley & Sons Inc.
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*Clark-Schock, K., Turner, Y. D., & Bovee, T. L. (1988). A multidisciplinary psychiatric assessment: The introductory group: The Arts in Psychotherapy Vol 15(1) Spr 1988, 79-82.
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*Coccanari, M. A., Pacifici, M. P., & Bollea, E. (1997). Musica attiva: Un esperimento in day hospital psichiatrico: Minerva Psichiatrica Vol 38(1) Mar 1997, 45-52.
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*Cohen, B. M. (1983). Combined art and movement therapy group: Isomorphic responses: The Arts in Psychotherapy Vol 10(4) Win 1983, 229-232.
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*Cole, I. L. (1980). Dance therapy with a nonverbal, autistic child: A documentation of process: Dissertation Abstracts International.
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*Cole, I. L. (1982). Movement negotiations with an autistic child: The Arts in Psychotherapy Vol 9(1) Spr 1982, 49-53.
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*Collard, P. (2003). Dance of Life: Counselling Psychology Quarterly Vol 16(1) Mar 2003, 49-51.
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*Cook, S., & Ledger, K. (2004). A Service User-Led Study Promoting Mental Well-Being for the General Public, Using 5 Rhythms Dance: International Journal of Mental Health Promotion Vol 6(4) Nov 2004, 41-51.
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*Coulter, H., & Loughlin, E. (1999). Synergy of verbal and non-verbal therapies in the treatment of mother-infant relationships: British Journal of Psychotherapy Vol 16(1) Fal 1999, 58-73.
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*Creadick, T. A. (1985). The role of the Expressive Arts in therapy: Journal of Reading, Writing, & Learning Disabilities International Vol 1(3) Spr 1985, 55-60.
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*Creamer, N. (1983). The silent language: Basic principles of movement/dance therapy for the non-movement therapist: Journal of Group Psychotherapy, Psychodrama & Sociometry Vol 36(2) Sum 1983, 55-60.
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*Cruz, R. F. (2004). What Is Evaluation Research? Springfield, IL: Charles C Thomas Publisher.
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*Cruz, R. F., & Berrol, C. F. (2004). Dance/movement therapists in action: A working guide to research options. Springfield, IL: Charles C Thomas Publisher.
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*Cruz, R. F., & Berrol, C. F. (2004). What Does Research Have to Do with It? Springfield, IL: Charles C Thomas Publisher.
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*Cruz, R. F., Hervey, L., & Berrol, C. (2005). Abstracts from the 2004 Research Poster Session 39th Annual American Dance Therapy Association Conference: American Journal of Dance Therapy Vol 27(1) Mar 2005, 23-35.
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*Cruz, R. F., Hervey, L., Berrol, C., & Hiller, C. (2006). Abstracts from the 2005 Research Poster Session 40th Annual American Dance Therapy Association Conference: American Journal of Dance Therapy Vol 28(1) Jun 2006, 21-30.
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*Cruz, R. F., & Hervey, L. W. (2001). The American Dance Therapy Association research survey: American Journal of Dance Therapy Vol 23(2) Fal 2001, 89-118.
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*Dibbell-Hope, S. (1990). Moving toward health: A study of the use of dance-movement therapy in the psychological adaptation to breast cancer: Dissertation Abstracts International.
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*Rose, M. (2001). The body doesn't lie: Five tales of superobesity as somatic language: Psychoanalytic Inquiry Vol 21(3) 2001, 337-355.
  +
*Roseman, J. L. (2006). Reflections on Dance and Music Therapy in Palliative Care. New York, NY: Oxford University Press.
  +
*Rosevear, K., & Butler, J. (2007). Reflections on ADMT UK research conference: Mind the gap: Body, Movement and Dance in Psychotherapy Vol 2(1) Mar 2007, 69-73.
  +
*Rossberg-Gempton, I., & Poole, G. D. (1992). The relationship between body movement and affect: From historical and current perspectives: The Arts in Psychotherapy Vol 19(1) 1992, 39-46.
  +
*Rossberg-Gempton, I. E. v., Dickinson, J., & Poole, G. (1999). Creative dance: Potentiality for enhancing social functioning in frail seniors and young children: The Arts in Psychotherapy Vol 26(5) 1999, 313-327.
  +
*Saito, K. (2006). The benefits of Japanese dance from a psychosomatic medical perspective. New York, NY: Elsevier Science.
  +
*Sakiyama, Y., & Koch, N. (2003). Touch in Dance Therapy in Japan: American Journal of Dance Therapy Vol 25(2) Fal 2003, 79-95.
  +
*Salkin, J. (1973). Body ego technique: An educational and therapeutic approach to body image and self identity. Oxford, England: Charles C Thomas.
  +
*Samberg, S. (1988). Dance therapy groups for the elderly. Madison, CT: International Universities Press, Inc.
  +
*Sandel, S. L. (1975). Integrating dance therapy into treatment: Hospital & Community Psychiatry Vol 26(7) Jul 1975, 439-441.
  +
*Sandel, S. L. (1978). Movement therapy with geriatric patients in a convalescent home: Hospital & Community Psychiatry Vol 29(11) Nov 1978, 738-741.
  +
*Sandel, S. L. (1978). Reminiscence in movement therapy with the aged: Art Psychotherapy Vol 5(4) 1978, 217-221.
  +
*Sandel, S. L. (1982). The process of individuation in dance-movement therapy with schizophrenic patients: The Arts in Psychotherapy Vol 9(1) Spr 1982, 11-18.
  +
*Sandel, S. L. (1987). Moving into management: The Arts in Psychotherapy Vol 14(2) Spr 1987, 109-112.
  +
*Sandel, S. L. (1994). Dance/movement therapy with the frail elderly: Journal of Long Term Home Health Care: The PRIDE Institute Journal Vol 13(3) Sum 1994, 38-42.
  +
*Sandel, S. L., & Johnson, D. R. (1983). Structure and process of the nascent group: Dance therapy with chronic patients: The Arts in Psychotherapy Vol 10(3) Fal 1983, 131-140.
  +
*Sandel, S. L., & Johnson, D. R. (1996). Theoretical foundations of the structural analysis of movement sessions: The Arts in Psychotherapy Vol 23(1) 1996, 15-25.
  +
*Schmais, C. (1981). Group development and group formation in dance therapy: The Arts in Psychotherapy Vol 8(2) 1981, 103-107.
  +
*Schmais, C. (1998). Understanding the dance/movement therapy group: American Journal of Dance Therapy Vol 20(1) Spr-Sum 1998, 23-35.
  +
*Schmais, C. (1999). The Marian Chace Foundation Annual Lecture Groups: A door to awareness: American Journal of Dance Therapy Vol 21(1) Spr-Sum 1999, 5-18.
  +
*Schmais, C. (2004). Dance therapy: Theory, practice and training (Marion Chace). Dissertation Abstracts International: Section B: The Sciences and Engineering.
  +
*Schmais, C., & Diaz-Salazar, P. (1998). BERN--A method for analyzing dance/movement therapy groups: The Arts in Psychotherapy Vol 25(3) 1998, 159-165.
  +
*Schmerling, J. D., & Kerins, M. R. (1987). Stimulating communication in a child with elective mutism: Collaborative interventions: American Journal of Dance Therapy Vol 10 1987, 27-40.
  +
*Schmuttermayer, R. (1983). Possibilities for introducing group-centred music therapy for the treatment of psychotics: Psychiatrie, Neurologie und Medizinische Psychologie Vol 35(1) Jan 1983, 49-53.
  +
*Schoop, T. (2000). Motion and emotion: American Journal of Dance Therapy Vol 22(2) Fal-Win 2000, 91-101.
  +
*Schoop, T., & Mitchell, P. (1974). Won't you join the dance? A dancer's essay into the treatment of psychosis. Oxford, England: National Press.
  +
*Schott-Billmann, F. (1992). Primitive expression: An anthropological dance therapy method: The Arts in Psychotherapy Vol 19(2) 1992, 105-109.
  +
*Serlin, I. (1993). Root images of healing in dance therapy: American Journal of Dance Therapy Vol 15(2) Fal-Win 1993, 65-76.
  +
*Serlin, I. (2005). To Dance Is to Love: PsycCRITIQUES Vol 50 (20), 2005.
  +
*Serlin, I. A. (2006). Dance/Movement Therapy: A New Mind-Body Therapy: PsycCRITIQUES Vol 51 (20), 2006.
  +
*Serlin, I. A., Classen, C., Frances, B., & Angell, K. (2000). Symposium: Support groups for women with breast cancer: Traditional and alternative expressive approaches: The Arts in Psychotherapy Vol 27(2) 2000, 123-138.
  +
*Serlin, L. (1976). Portrait of Karen: A Gestalt-phenomenological approach to movement therapy: Journal of Contemporary Psychotherapy Vol 8(2) Win-Spr 1976-1977, 145-152.
  +
*Shaskan, D. A. (1972). Group psychotherapy: Present trends in management of the more severe emotional problems: Psychiatric Annals Vol 2(4) Apr 1972, 10-15.
  +
*Shennum, W. A. (1987). Expressive activity therapy in residential treatment: Effects on children's behavior in the treatment milieu: Child & Youth Care Quarterly Vol 16(2) Sum 1987, 81-90.
  +
*Siegel, E. V. (1973). Movement therapy as a psychotherapeutic tool: Journal of the American Psychoanalytic Association Vol 21(2) 1973, 333-343.
  +
*Siegel, E. V. (1981). In search of pure perception: An attempt to apply Merleau-Ponty's concepts of sense experiences to psychoanalytically oriented movement therapy: The Arts in Psychotherapy Vol 8(3-4) Win 1981, 201-205.
  +
*Siegel, E. V. (1982). "The Mirror of Our Selves": A psychoanalytic study in dance-movement therapy: Dissertation Abstracts International.
  +
*Siegel, E. V. (1995). Psychoanalytic dance therapy: The bridge between psyche and soma: American Journal of Dance Therapy Vol 17(2) Fal-Win 1995, 115-128.
  +
*Silberstein, S. (1987). Dance therapy and schizophrenia: Vision of the future: The Arts in Psychotherapy Vol 14(2) Spr 1987, 143-152.
  +
*Silver, J. A. (1982). Therapeutic aspects of folk dance: Self concept, body concept, ethnic distancing and social distancing: Dissertation Abstracts International.
  +
*Singer, A. J. (2006). Review of Dance movement therapy: A creative psychotherapeutic approach (creative therapies in practice): Body, Movement and Dance in Psychotherapy Vol 1(1) Mar 2006, 85-86.
  +
*Solnit, A. J. (1973). Commentary on "Movement therapy as a psychotherapeutic tool." Journal of the American Psychoanalytic Association Vol 21(2) 1973, 344-346.
  +
*Stanton, K. (1991). Dance movement therapy: An introduction: British Journal of Occupational Therapy Vol 54(3) Mar 1991, 108-110.
  +
*Stanton, K. (1992). Imagery and metaphor in group dance movement therapy: A psychiatric out-patient setting. New York, NY: Tavistock/Routledge.
  +
*Stanton-Jones, K. (1992). An introduction to dance movement therapy in psychiatry. New York, NY: Tavistock/Routledge.
  +
*Stark, A. (2002). The American Journal of Dance Therapy: Its History and Evolution: American Journal of Dance Therapy Vol 24(2) Fal 2002, 73-95.
  +
*Stark, A., Aronow, S., & McGeehan, T. (1989). Dance/movement therapy with bulimic patients. New York, NY: Guilford Press.
  +
*Stark, A., & Lohn, A. F. (1989). The use of verbalization in dance/movement therapy: The Arts in Psychotherapy Vol 16(2) Sum 1989, 105-113.
  +
*Steckler, L. H. (2006). Somatic soulmates: Body, Movement and Dance in Psychotherapy Vol 1(1) Mar 2006, 29-42.
  +
*Steiner, M. (1992). Alternatives in psychiatry: Dance movement therapy in the community. New York, NY: Tavistock/Routledge.
  +
*Sternlicht, M. (1965). Psychotherapeutic techniques useful with the mentally retarded: A review and critique: Psychiatric Quarterly 39(1) 1965, 84-90.
  +
*Stockley, S. (1992). Older lives, older dances: Dance movement therapy with older people. New York, NY: Tavistock/Routledge.
  +
*Stromsted, T. P. (2000). Re-inhabiting the female body: Authentic Movement as a gateway to transformation. Dissertation Abstracts International: Section B: The Sciences and Engineering.
  +
*Taylor, W. L. (1978). The effectiveness of ballroom dance instruction on the self concept and mobility of blind adults: Dissertation Abstracts International.
  +
*Thompson, D. M. (1997). Dance/movement therapy with the dual-diagnosed: A vehicle to the self in the service of recovery: American Journal of Dance Therapy Vol 19(1) Spr-Sum 1997, 63-79.
  +
*Thornton, S. (1996). Dance as you've never danced before! London, England: Jessica Kingsley Publishers.
  +
*Thulin, K. (1997). When words are not enough: Dance therapy as a method of treatment for patients with psychosomatic disorders: American Journal of Dance Therapy Vol 19(1) Spr-Sum 1997, 25-43.
  +
*Tipple, B. (1975). Dance therapy and education program: Journal of Leisurability Vol 2(4) Oct 1975, 9-12.
  +
*Tomassetti, F., & Pavoni, E. (1983). A psychotic's body achieving self-expression through dance: Reality between metaphor and allegory: Rivista Sperimentale di Freniatria e Medicina Legale delle Alienazioni Mentali Vol 107(1, Suppl) Apr 1983, 261-266.
  +
*Torrance, J. (2003). Autism, Aggression, and Developing a Therapeutic Contract: American Journal of Dance Therapy Vol 25(2) Fal 2003, 97-109.
  +
*Tortora, S. M. (2001). The use of the "ways of seeing" program with a young child with Rett Syndrome. Dissertation Abstracts International: Section B: The Sciences and Engineering.
  +
*Totenbier, S. L. (1994). A new way of working with body image in therapy, incorporating dance/movement therapy methodology. London, England: Jessica Kingsley Publishers.
  +
*Trautmann-Voigt, S. (2001). The atonement of the alleged perpetrator's daughter: Understanding of model scenes and space attachment in analytical dance therapy: Psychoanalytic Inquiry Vol 21(3) 2001, 407-429.
  +
*Trautmann-Voigt, S. (2003). Dance therapy: Current state of discussion in Germany: Psychotherapeut Vol 48(4) Jul 2003, 215-229.
  +
*Trautmann-Voigt, S. (2006). Dance therapy between an artistic expression and a therapeutic method: PDP Psychodynamische Psychotherapie: Forum der tiefenpsychologisch fundierten Psychotherapie Vol 5(1) Mar 2006, 40-53.
  +
*Trautmann-Voigt, S., Voigt, B., Lichtenberg, J. D., & Fehlberg, W. (2002). The Meaning of Movement and Space in Psychotherapy--Mr. K.'s Case: Selbstpsychologie: Europaische Zeitschrift fur psychoanalytische Therapie und Forschung/ Self Psychology: European Journal for Psychoanalytic Therapy and Research Vol 3(10) 2002, 491-514.
  +
*Truppi, A. M. (2001). The effects of dance/movement therapy on sexually abused adolescent girls in residential treatment. Dissertation Abstracts International: Section B: The Sciences and Engineering.
  +
*Unger, A. K. (1985). Movement Therapy for the geriatric population: Clinical Gerontologist Vol 3(3) Spr 1985, 46-47.
  +
*Vaccaro, V. M. (1979). Interfaces of creativity in therapy: A mini-symposium: Art Psychotherapy Vol 6(3) 1979, 137-153.
  +
*Valentine-Garzon, M. A., Maynard, M., & Selznick, S. Z. (1992). ROM Dance Program effects on frail elderly women in an adult day-care center: Physical & Occupational Therapy in Geriatrics Vol 11(1) 1992, 63-83.
  +
*Van Deusen, J., & Harlowe, D. (1987). A comparison of the ROM Dance home exercise/rest program with traditional routines: Occupational Therapy Journal of Research Vol 7(6) Nov-Dec 1987, 349-361.
  +
*Van Zandt, S., & Lorenzen, L. (1985). You're not too old to dance: Creative movement and older adults: Activities, Adaptation & Aging Vol 6(4) Sum 1985, 121-130.
  +
*Vaysse, J., & Boinon, D. (2003). Specificity and efficiency of a creative psychotherapy: From space organization to psychic organization: Annales Medico-Psychologiques Vol 161(10) Dec 2003, 766-773.
  +
*Waller, D., Pleven, M., & Groterath, A. (1999). Introducing new psychosocial elements into already functioning systems: The case of art psychotherapy, dance movement therapy and psychodrama at the Centro Italiano di Solidarieta. Florence, KY: Taylor & Frances/Routledge.
  +
*Wallock, S. F. (1979). Dance/movement therapy: A survey of philosophy and practice: Dissertation Abstracts International.
  +
*Warnick, A. S. (1996). An investigation of dance-movement therapy as a therapeutic modality for autistic children: A case study approach. Dissertation Abstracts International: Section B: The Sciences and Engineering.
  +
*Webster, J. (1991). The use of the movement metaphor in movement therapy. Lisse, Netherlands: Swets & Zeitlinger Publishers.
  +
*Welsh, D. J. (1991). Martha Graham: The other side of depression: American Journal of Dance Therapy Vol 13(2) Fal-Win 1991, 117-130.
  +
*West, H. P. (1984). Responding with dance: Maladjustment & Therapeutic Education Vol 2(2) Fal 1984, 46-57.
  +
*Westbrook, B. K., & McKibben, H. (1989). Dance/movement therapy with groups of outpatients with Parkinson's disease: American Journal of Dance Therapy Vol 11(1) Spr-Sum 1989, 27-38.
  +
*Wiener, J., & Helbraun, E. (1985). Creative movement with the learning disabled child: Journal of Reading, Writing, & Learning Disabilities International Vol 1(3) Spr 1985, 34-44.
  +
*Willis, C. (1987). Legal and ethical issues of touch in dance/movement therapy: American Journal of Dance Therapy Vol 10 1987, 41-53.
  +
*Wise, S. K. (1981). Dance movement therapy as treatment in obesity: Journal of Obesity & Weight Regulation Vol 1(1) Spr 1981, 54-56.
  +
*Wise, S. K. (1981). Dance therapy: Use of imagery for food awareness: Journal of Obesity & Weight Regulation Vol 1(2) Sum 1981, 96-104.
  +
*Wislochi, A. (1981). Movement is their medium: Dance/movement methods in special education: Milieu Therapy Vol 1(1) Sum 1981, 49-54.
  +
*Ylonen, M. E. (2004). A dance by mother and daughter: The Arts in Psychotherapy Vol 31(1) 2004, 11-17.
  +
*Yula, B. (1984). Using creative movement to develop a potential space with the schizophrenic patient: Pratt Institute Creative Arts Therapy Review Vol 5 1984, 12-16.
  +
  +
  +
  +
==External links==
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* [http://www.admt.org.uk/ The Association for Dance Movement Therapy in UK]
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* [http://www.adta.org/ American Dance Therapy Association]
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[[Category:Body Psychotherapy]]
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[[Category:Creative arts therapy]]
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[[Category:Dance]]
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[[Category:Mind-body interventions]]
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Latest revision as of 19:37, 20 March 2008

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Dance therapy, or dance movement therapy is the psychotherapeutic use of movement (and dance) for emotional, cognitive, social, behavioural and physical conditions. It is a form of expressive therapy. Certified dance therapists hold a masters level of training.

Dance therapy is founded on the premise that the body and mind are an interrelated continuum (refer bodymind), that the state of the body may affect mental and emotional wellbeing in manifold ways. In contrast to artistic dance, which is usually concerned with the aesthetic appearance of movement, dance therapy explores the nature of all movement. Through observing and altering the kinesthetic movements of a client, dance movement therapists diagnose and help solve various psychological problems. As any conscious person can move on some level, this therapy can work with any population.

Marion Chace is considered the principal founder of what is now dance therapy in the United States.[1]

In the UK, the profession has been renamed Dance Movement Psychotherapy in order to reflect the psychotherapeutic nature of the work (see Meekums 2002 for a discussion).

LMA or Laban Movement Analysis is also part of dance movement therapy as it used to categorise movements into efforts, which can be used as an insight to the patient's mental state.

Journals

See also

References

Further reading

Books

  • Blatt, J. (1996). Dance movement therapy. London, England: Jessica Kingsley Publishers.
  • Blatt, J. (1991). Dance/movement therapy: Inherent value of the creative process in psychotherapy. Lisse, Netherlands: Swets & Zeitlinger Publishers.
  • Chodorow, J. (1991). Dance Therapy and Depth Psychology. London
  • Hanna, J. L. (2004). Applying Anthropological Methods in Dance/Movement Therapy Research. Springfield, IL: Charles C Thomas Publisher.
  • Lewis, P. (1984; 1986). Theoretical Approaches in Dance Movement Therapy. Vols I & II, USA: Kendall/Hunt.
  • Liebowitz, G. (1992). Individual dance movement therapy in an in-patient psychiatric setting. New York, NY: Tavistock/Routledge.
  • Meekums, B. (2002). Dance Movement Therapy: a Creative Psychotherapeutic Approach. London: Sage
  • Payne, H. (ed). (2006). Dance Movement Therapy: Theory, Research and Practice (2nd edn). Tavistock / Routledge.
  • Siegel, E. (1984). Dance Movement Therapy: Mirror of Ourselves: The Psychoanalytic Approach. New York: Human Science Press.
  • Stanton-Jones, K. (1992). An Introduction to Dance Movement Therapy in Psychiatry. London: Tavistock/Routledge.
  • North, M. (1990). Personality Assessment Through Movement. Northcote House.
  • Payne, H.L. (2000). Creative Movement and Dance in Groupwork. Oxon: Speechmark
  • McCormack, D. (2003) An event of geographical ethics in spaces of affect. Transactions of the Institute of British Geographers, 28, (4), 488-507

Papers

  • Adler, J. (1992). Body and soul: American Journal of Dance Therapy Vol 14(2) Fal-Win 1992, 73-94.
  • Adler, J. (2003). From Autism to the Discipline of Authentic Movement: American Journal of Dance Therapy Vol 25(1) Spr 2003, 5-16.
  • Adler, R. F., & Fisher, P. (1984). My self... through music, movement and art: The Arts in Psychotherapy Vol 11(3) Fal 1984, 203-208.
  • Akstein, D. (1974). Psychosocial perspectives of the application of Terpsichoretrancetherapy: Psychopathologie Africaine Vol 10(1) 1974, 121-129.
  • Albretsen, C. S. (1986). Symbiosis treatment in adult psychiatry: Is combined family and individual management a condition for a solution? : Nordisk Psykiatrisk Tidsskrift Vol 40(4) 1986, 279-283.
  • Aleszko, Z. (1972). The role of choreotherapy in the psychomotor rehabilitation of neurotic teenagers: Psychiatria Polska Vol 6(3) May 1972, 345-348.
  • Ambra, L. N. (1995). Approaches used in dance/movement therapy with adult women incest survivors: American Journal of Dance Therapy Vol 17(1) Spr-Sum 1995, 15-24.
  • Ammon, G. (1984). The importance of the body under the holistic aspect of humanistic dynamic psychiatry: Dynamische Psychiatrie Vol 17(4)[87] 1984, 339-356.
  • Ammon, G. (1986). Human-structural dance: Art of healing and self-experience: Dynamische Psychiatrie Vol 19(4-5) 1986, 317-342.
  • Ammon, M. (2003). Psychological studies on human structural dance: Group Analysis Vol 36(2) Jun 2003, 288-306.
  • Appel, C., & Fraenkel, D. (2004). Editorial: American Journal of Dance Therapy Vol 26(1) Spr 2004, 3-4.
  • Appel, C., & Fraenkel, D. (2005). Editorial: American Journal of Dance Therapy Vol 27(1) Mar 2005, 3-4.
  • Appel, C., & Welsh, D. (2006). Co-Editors' Report: The Rhythm of Entrepreneurship--The Art of Getting Out in the World: American Journal of Dance Therapy Vol 28(1) Jun 2006, 41-44.
  • Appel, C., & Welsh, D. (2006). Editorial: American Journal of Dance Therapy Vol 28(2) Oct 2006, 57-58.
  • Arnold, O. (2003). Music and dance therapy in ambulatory rehabilitation of substance abusers. Rationale, development, and implementation of a scientific concept based on the example of an ambulatory substance abuser support department in Baden-Wurttemberg: Part II: Musik-, Tanz- und Kunsttherapie Vol 14(2) 2003, 100-117.
  • Arnold, O. (2003). Music and dance therapy in ambulatory rehabilitation of substance abusers. Rationale, development, and implementation of a scientific concept based on the example of an ambulatory substance abuser support department in Baden-Wurttemberg-Part I: Musik-, Tanz- und Kunsttherapie Vol 14(1) 2003, 19-31.
  • Atterbury, C., Sorg, J., & Larson, M. A. (1983). Aerobic dancing in a long-term care facility: Physical & Occupational Therapy in Geriatrics Vol 2(3) Spr 1983, 71-73.
  • Bachman, J. E., & Sluyter, D. (1988). Reducing inappropriate behaviors of developmentally disabled adults using antecedent aerobic dance exercises: Research in Developmental Disabilities Vol 9(1) 1988, 73-83.
  • Baillio, E. (1972). Shall we dance? : Journal of Music Therapy Vol 9(1) Spr 1972, 37-39.
  • Baum, R. (2007). Looking backward, dancing forward: A student's encounter with the practice of dance movement therapy: The Arts in Psychotherapy Vol 34(3) 2007, 249-255.
  • Belfiore, M., & Della Cagnoletta, M. (1992). Arts therapy training in Italy: Toward a pedagogical model: The Arts in Psychotherapy Vol 19(2) 1992, 111-116.
  • Ben-Asher, S., Koren, B., Tropea, E. B., & Fraenkel, D. (2002). Case Study of a Five Year-Old Israeli Girl in Movement Therapy with Case Discussion: American Journal of Dance Therapy Vol 24(1) 2002, 27-43.
  • Berger, M. (1987). Psychic expression in the human structural dance: A pilot study: Dynamische Psychiatrie Vol 20(1-2) 1987, 42-64.
  • Berger, M. (1988). Psychological investigations on human structural dance: Dynamische Psychiatrie Vol 21(1-2) 1988, 128-158.
  • Berger, M. R. (1992). Isadora Duncan and the creative source of dance therapy: American Journal of Dance Therapy Vol 14(2) Fal-Win 1992, 95-110.
  • Bernstein, B. E. (1979). Ballroom dancing: The therapy and the ecstasy: International Journal of Sport Psychology Vol 10(4) 1979, 259-262.
  • Bernstein, P. L. (1985). Embodied transformational images in dance-movement therapy: Journal of Mental Imagery Vol 9(4) Win 1985, 1-8.
  • Berrol, C. F. (1979). The effects of two movement remediation programs on selected measures of perceptual-motor ability, academic achievement and behavior on first grade children manifesting learning and perceptual-motor problems: Dissertation Abstracts International.
  • Berrol, C. F. (1989). A view from Israel: Dance/movement and the creative arts therapies in special education: The Arts in Psychotherapy Vol 16(2) Sum 1989, 81-90.
  • Berrol, C. F. (1992). The neurophysiologic basis of the mind)ody connection in dance/movement therapy: American Journal of Dance Therapy Vol 14(1) Spr-Sum 1992, 19-29.
  • Berrol, C. F. (1992). The neurophysiologic basis of the mind-body connection in dance/movement therapy: American Journal of Dance Therapy Vol 14(1) Spr-Sum 1992, 19-29.
  • Berrol, C. F. (2004). The Expanding Options of Experimental Research Design in Dance/Movement Therapy. Springfield, IL: Charles C Thomas Publisher.
  • Berrol, C. F. (2004). How to Mix Quantitative and Qualitative Methods in a Dance/Movement Therapy Research Project. Springfield, IL: Charles C Thomas Publisher.
  • Berrol, C. F. (2006). Neuroscience meets dance/movement therapy: Mirror neurons, the therapeutic process and empathy: The Arts in Psychotherapy Vol 33(4) 2006, 302-315.
  • Berrol, C. F. (2006). Review of An Introduction to Medical Dance/Movement Therapy: Health Care in Motion: The Arts in Psychotherapy Vol 33(2) 2006, 153-155.
  • Berrol, C. F., Ooi, W. L., & Katz, S. S. (1997). Dance/movement therapy with older adults who have sustained neurological insult: A demonstration project: American Journal of Dance Therapy Vol 19(2) Fal-Win 1997, 135-160.
  • Berryman-Miller, S. (1986). Benefits of dance in the process of aging and retirement for the older adult: Activities, Adaptation & Aging Vol 9(1) Fal 1986, 43-51.
  • Bertolaso, Y. (2004). Floor design in dance and dance therapy. Expressiveness, message, and energetical-structuring effects and potential: Musik-, Tanz- und Kunsttherapie Vol 15(4) 2004, 167-184.
  • Best, P. A. (2000). Theoretical diversity and clinical collaboration: Reflections by a dance/movement therapist: The Arts in Psychotherapy Vol 27(3) 2000, 197-211.
  • Block, B. A. (2001). The psychological cultural relational model applied to a therapeutic, educational adolescent dance program: The Arts in Psychotherapy Vol 28(2) 2001, 117-123.
  • Bojner-Horwitz, E., Theorell, T., & Anderberg, U. M. (2003). Dance/movement therapy and changes in stress-related hormones: A study of fibromyalgia patients with video-interpretation: The Arts in Psychotherapy Vol 30(5) 2003, 255-264.
  • Boris, R. (2001). The root of dance therapy: A consideration of movement, dancing, and verbalization vis-a-vis dance/movement therapy: Psychoanalytic Inquiry Vol 21(3) 2001, 356-367.
  • Bornell, D. G. (1984). Movement is individuality: An interabilities approach using dance taps: Music Therapy Vol 4(1) 1984, 98-105.
  • Bosak, C. K., & Jack, M. (2006). Results of dance therapy and dynamic movement meditation with patients in a psychotherapeutic inpatient setting: Musik-, Tanz- und Kunsttherapie Vol 17(3) 2006, 136-145.
  • Bostick, C. A. (1997). Dance Movement and its effects on rhythmic flow and nursing practice. Dissertation Abstracts International: Section B: The Sciences and Engineering.
  • Boswell, B. (1993). Effects of movement sequences and creative dance on balance of children with mental retardation: Perceptual and Motor Skills Vol 77(3, Pt 2) Dec 1993, 1290.
  • Boswell, B., & Vidret, M. (1993). Rhythmic movement and music for adolescents with severe and profound disabilities: Music Therapy Perspectives Vol 11(1) 1993, 37-41.
  • Boswell, B. B. (1983). Adapted dance for mentally retarded children: An experimental study: Dissertation Abstracts International.
  • Boyd, J. (2007). The rhythm method: Body, Movement and Dance in Psychotherapy Vol 2(1) Mar 2007, 57-67.
  • Bradley, K. K. (2006). Crossing the Boundaries: American Journal of Dance Therapy Vol 28(1) Jun 2006, 45-48.
  • Brauninger, I. (2006). Review of Dance/movement therapists in action. A working guide to research options: Body, Movement and Dance in Psychotherapy Vol 1(1) Mar 2006, 86-88.
  • Brooks, D., & Stark, A. (1989). The effect of dance/movement therapy on affect: A pilot study: American Journal of Dance Therapy Vol 11(2) Fal-Win 1989, 101-112.
  • Bruno, C. (1981). Applications and implications of "structural analysis of movement sessions" for dance therapy: The Arts in Psychotherapy Vol 8(2) 1981, 127-133.
  • Bruno, C. (1990). Maintaining a concept of the dance in dance/movement therapy: American Journal of Dance Therapy Vol 12(2) Fal-Win 1990, 101-113.
  • Bumanis, A., & Yoder, J. W. (1987). Music and dance: Tools for reality orientation: Activities, Adaptation & Aging Vol 10(1-2) 1987, 23-35.
  • Bunney, J. R. (1978). Dance therapy and notes on Task Panel on "The role of the arts in mental health." Art Psychotherapy Vol 5(1) 1978, 7-9.
  • Caldwell, C. (2004). American Dance Therapy Association 38-super(th) Annual Conference Keynote Address: The Power of Stillness, the Glory of Motion: American Journal of Dance Therapy Vol 26(1) Spr 2004, 9-15.
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